52-week collage workshop (August 2018 – August 2019)

Hard to believe that I am now at the end of 52 weeks of collaging – producing at least one collage a week. Led by Randel Plowman, the workshop has consisted of a prompt a week covering different aspects of collage from figure/ground to colour theory, and surrealism to socio/political commentary.

It has encouraged me to experiment and to learn more about my own strengths, preferences and developing style. I have discovered I prefer a warmer palette and generally some red shows up somewhere. I prefer to work in a more abstract style and I enjoy a mix of torn and cut edges. I am not that keen on working with ephemera and representational work, I have seen others work with it incredibly successfully but I don’t find it inspires me.

I very much like working with alternative techniques like the decollage, cyanotype and CitraSolv experiments. I was slightly thrown by the Cyanotype because it created an image in its own right so it took me a while to work out how to use it as part of a collage. I have also discovered I am quite good at spotting patterns and making connections, this worked particularly well in the mash up and uncanny exercises.

I found I sometimes got frustrated by the speed of creating collages and would have loved to gone into making a digital piece, but took this as a sign to slow down and take time. I didn’t manage to complete something every week but did complete about 85% of the prompts, which I am pretty pleased with. It was certainly more of a commitment than I had imagined but it was a really good discipline for doing something creative every week. I still have the prompts to work on in future too!

I am very excited by this week’s results where we were asked to explore our signature style. I have found that I work better with a theme or concept so refined the open brief by giving myself the task to work on ‘joy.’ I often find the collages then name themselves based on the materials I use. I knew I wanted to work on an abstract piece but combined representational pieces as well as shapes and colour that give me joy.

Joy then took the title of ‘At Last’ and once it was scanned I decided I wanted to add some digital brush strokes to work more into areas I felt needed it. In the spirit of experimentation I used the smudge tool and was amazed by what happened. I am so excited about the possibilities of this approach and got some of the best feedback I have had throughout the course. Randel has encouraged me to ‘make 100s of these’ which I certainly intend to do!

I definitely see collage and decollage being part of my future work and doing the course has given me a good sense of the direction I want to take. It has introduced me to artists I haven’t come across before and the video of collage artist Eunice Parsons remains one of my all time favourite artists’ documentaries.

I am very pleased I signed up to do the workshop and I am sure it will have a long-term influence on my work. It was hard to keep going sometimes and I definitely found some of the prompts harder than others. Some of the exercises like the 10-minute collage I will carry on doing, particularly helpful if I am feeling blocked or uncertain. I am grateful to Randel and the 52weekcollage group for the support, feedback and inspiration.

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